Korean-born Nam June Paik was working with video and inviting his audiences to consider the fate of the image in the world of real-time long before it was fashionable, and the Guggenheim’s retrospective reflects an artist ahead of his time. Back in 1963, the former music student who’d collaborated with John Cage blipped into the international art scene in Germany with his first solo show ‘Exposition of Music – Electronic Television’. It featured TV sets scattered about a room, broadcasting altered programming and, many argue, it opened the way for the video art so ubiquitous today. But this is no simple retrospective: Paik has created dramatic laser installations – and a complete waterfall – that engage Frank Lloyd Wright’s landmark building in a lively conversation.
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